“Bloom” is Chris Russell’s third solo album on the Relaxed Machinery label, although he collaborated with Disturbed Earth on one of the label’s earlier releases, “The Approaching Armada“. Chris explains that for “Bloom” he was inspired by nature, and used field recordings and electronic atmospheres to evoke its beauty. Indeed, all of the tracks are named after flowers.
The first track, “Dahlia”, is truly gorgeous. Gentle ambient synths are overlaid with a periodic rotating motif which draws a wonderful picture of a bud struggling to open to a flower. “Orchid” places reluctant piano notes over minor pads, with organic sounds adding to the feeling of something truly beautiful and very tangible: a process unfolding in the natural world.
On “Crocus”, a light chord sequence drifts to and fro over luscious ambient pads. From time to time the chord sequence breaks up, as if to demonstrate the fragility and uncertainty of growing to maturity, but inevitably it reaffirms itself again, gaining in confidence. In contrast, “Allium” bursts with an absolute, certain radiance as it swells to a sublime level, then becomes hesitant, and finally discovers its own inner strength and beauty.
“Scilla” begins with an organic sound and long, breathy pads. The plant’s flower opens, but takes its own time; it’s not at all unsure of itself, but rather is totally confident and will be stopped by nothing. This track is stunning, and is definitely my favourite here.
The album’s longest take, “Lilac”, opens with elongated chords, moving from harmonic to slightly discordant and back. Here is one of the original paradoxes of nature; rain battles with the flower as it attempts to open. And of course the plant needs the rain, so it strives for survival. Just after the halfway mark, the paradox begins to resolve itself, with a beatific chord which seems to signify sunlight breaking through after the rain. The plant’s growth continues.
The album closes with “Phlox”, which starts with a deep bass sequence underneath subtle keys. A bouncing, ring-modulated synth opens and closes over very distant chords, building a complex pattern. This is by far the most rhythmic track here. We are no longer listening to ambient music; this is electronic music in the most classical sense. The rhythm leaves, and the track finishes with natural sounds and long, drawn out notes which finally fade to silence.
The artist describes “Bloom” as “a celebration of the awakening and renewal of life”, and that description for me could not be more accurate.