Ethereal Live has been one of my favourite labels since its launch just over a year ago. The label describes itself as a place for “archiving live performances of ambient, dark ambient, drone, minimal, and space musics”. The key word for me here is “live”, as it puts a keen twist on perspectives that we don’t always get from genres of music which are often produced, tweaked and perfected in a studio, whether real or virtual.
Symatic Star is Simon Walsh, who lives in Western Australia. This is Simon’s second release on this label; in addition, he has a number of tracks available for download or streaming on Bandcamp and SoundCloud.
The album comprises of a single live set, just over 35 minutes in length. What’s particularly fascinating about the set is the mix of acoustic instruments, drones, and other synth textures. The acoustic instrumentation played live on the set includes didgeridoo, gongs, and an African instrument called the mbira, which I hadn’t heard of before – it sounds to me a little similar to a marimba, though it looks nothing like one.
So, how’s the music? Well, it begins with twinned synths pairing off in stereo, before being joined by a didgeridoo. Space sounds peel off at the high end, before the mbira appears. It makes a series of statements, then questions. These two sounds, from two completely different cultures, complement each other perfectly here. Synth spirals flow in above the mbira. More didgeridoo opens out to space synths, this time dense and more complex, with muffled chords filling the midrange. A lead synth appears, sounding unresolved above a dense ambient wash.
A pulsing rhythm begins around halfway through the track, and it starts to pull the music along, but the rhythm is soon swallowed by an immense drone, then obliterated by darkness. A conflict between high and low begins and confuses the senses, before the listener is immersed in a protracted wall of drones, piercing synth notes and percussive effects. The music then fades to conclusion.
I haven’t heard every release on this label yet, but I think “Transmissions” is definitely their best one to date.