Saito Koji is a musician currently living in Fukushima in Japan. His latest release, “Again”, his seventh on the Resting Bell netlabel, consists of eight tracks, each of which is three minutes long, just like its predecessor, “Guide”. An article about the artist on the website Current tells us that “since the nuclear disaster in March 2011 in Fukushima, Saito Koji composes pieces based on distorsion [sic] and much more powerful ‘noise’ guitar sounds”, which gives us an indication of what to expect; for me, at least, that description doesn’t do justice to the music here.
The opening track, “Alone”, is a wash of power-driven guitar drone, three chords to the left and mirrored to the right, with feedback tails, repeated again and again. The chords are major rather than minor as the title might suggest. It stands as a fine opening statement of intent. Track two, “Aurora”, is blissful experimentally-tinged ambience, hazy and shimmering, hovering perfectly in the air.
“Dog” is a huge processed feedback loop of sheer, pulsing energy. I’d be happy to listen to a much longer version of this to see it evolve further, but it’s amazing as it stands. Then “Joy” leads us towards the EP’s halfway mark with a gigantic, stunning wall of metallic sound, perfectly in tune, which sears its way into our ears.
The second half kicks off with “Magic”, another wash of simple chords, driven to their maximum to create a simple, yet ethereal beauty. “Sunset” has massive peals of chord pairs firing off to the left and right in a huge tapestry of reverberant noise.
The penultimate track “Touch” has an almost aching sense of loss. A slow pulse is centred amidst a vast sonic barrage of long, strung out guitar chords, which shift ever so gently from a simple chord to a complex one. “Wash” takes us to the end of the music with an almost overpowering glow of gorgeous heavily-processed guitar which soars from one chord to another, then back.
It’s astonishing how much high-quality music can be placed into 24 short minutes. Every track fades out; there’s nothing jarring or unpleasant in anything here, though listeners may wish to keep an eye on volume levels, which are high. But the whole thing is quite a remarkable experience. I definitely want to listen to other releases by the artist.